In my previous post I named one of the riders in the Just Judges panel as the poet Geoffrey Chaucer. His poems, The Canterbury Tales and Parlement of Foules (also known as The Parliament of Birds) are two sources for the painting’s concept. There is third major literary work, not by Chaucer, which I shall refer to at another time.
The narrator of The Canterbury Tales is generally considered to be its author Geoffrey Chaucer. Parts of the poem are incomplete because Chaucer died before he could finish the work.
This scenario runs parallel with the circumstances of Hubert van Eyck who was first commissioned with the painting of the Ghent Altarpiece sometime during the early 1420’s. Hubert died in 1426 and his brother Jan was requested by Joos Vijd to complete the altarpiece.
So whose idea was it to draw on The Canterbury Tales as inspiration for the line-up of Judges – Hubert’s or Jan’s? If it was Hubert then Jan obviously adapted the panel to take his brother’s death into account, and the later events related to Joan of Arc who arrived on the scene after Hubert had died.
If Hubert had come up with the idea of incorporating Chaucer’s work, did he place himself in the frame as the narrator on the near wing of the group, or was it Jan’s inspiration in recognising that both the poet and the painter died before they could complete their particular masterpiece?
Hubert has long been identified as the rider in front on the white horse. Perhaps he can now be also recognised as the narrator of his own magnum opus. What better judge could there be? Even Jan professed in the quatrain written on the frame of the altarpiece that he was second best in the art to Hubert.
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