Jan van Eyck’s Portrait of a Man (Léal Souvenir), “an exceptional loan”

According to The Guardian newspaper, “the National Gallery in London is to make an exceptional loan of a painting by Jan van Eyck to a one-off exhibition celebrating the 15th-century Flemish master. Portrait of a Man (Léal Souvenir), one of the earliest dated works by the painter, will be among the star exhibits in Van Eyck – an Optical Revolution, which will open at the Museum of Fine Arts (MSK) in Ghent, Belgium, in February.”

The newspaper added that “theories abound as to who the sitter was” for Van Eyck’s Léal Souvenir. The “sitter” is also portrayed sat on a horse in the Knights of Christ panel of the Ghent Altarpiece. He is Pierre de Bauffremont (c1400 – 1472), Count of Charney and Lord of Montfort. He was Sénéchal of Burgundy and a Knight of the Order of the Golden Fleece founded by Philip the Good, Duke of Burgundy. Pierre was also married to Marie de Bourgogne, a legitimised daughter of the Duke. It was his third marriage.

Incidently, what is often referred to in the painting as a parapet, isn’t. It represents an inscribed foundation stone. The painting is also linked to two other works by Van Eyck, the Arnolfini Portrait and Portrait of a Man in a Red Turban. He also features in Rogier van der Weyden’s Seven Sacraments Altarpiece.

Pierre de Bauffremont, as a Knight of Christ and the sitter in Van Eyck’s Léal Souvenir

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