This panel painting known as Venus and Mars was produced by Sandro Botticelli about 1485. It’s housed at the National Gallery in London. A contemporary of Botticelli, Andrea Mantegna, was very familiar with the underlying narrative in the painting and used it as a basis for the satirical composition in the Parnassus picture he produced for Isabella d’Este, now housed in the Louvre, Paris.
The satirical slant is obvious in Botticelli’s version of Venus and Mars, the antics of the four satyrs are are all pointers to the painting being meant to poke fun, for whatever reason, at the two lovers.
Sandro Botticelli portrays himself as the satyr tucked inside the barrel-shaped cuirass in the bottom right corner of the painting. the name Botticelli meaning “little barrel”. The three other satyrs represent Botticelli’s brothers. Sandro was the youngest of the four boys. Mantegna picks up on the cuirass connection by portraying Botticelli on the breastplate of Mars in the Parnassus painting.
Mantegna’s Mars is based on Piero de’ Medici, eldest son of Lorenzo de’ Medici. Piero led Florence after his father’s death in 1492 until his own exile in just two years later in 1494. Venus is repesented by Isabella d’Este. However, the pairing also references Leonardo da Vinci’s lost painting, Leda and the Swan. More on this in a future post.
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