In my pevious post I showed that Rembrandt had mirrored one of the sections from the St Vincent Panels for his etching, Death of the Virgin.
Some 30 years later Rembrandt also used another area of the etching as a basis for one of his most famous paintings, the Return of the Prodigal Son. The match ups are easy to spot but I’ve numbered them for identification.
There is a third section of the etching that Rembrandt sourced or ‘matched’ to another painting (by Hugo van der Goes), the group of figures gathered at the far side of the bed. This will be the subject of my next post.