In yesterday’s post I mentioned that the original Marzocco probably depicted a wolf pinned down by the lion, indicating Florence’s historic rivalry with Siena. Evidence of this is shown in at least three paintings: Mantegna’s Parnassus, Botticelli’s Adoration of the Magi (Uffizi version), and also the portrait being auctioned today at Sotheby’s, New York – Young Man Holding a Roundel.
Mantegna took his lead on representing the original and replacement version of the Marzocco from Botticelli’s Adoration of the Magi. Botticelli depicts the orginal version as the backdrop to the Mary and Joseph figures, while the new version is shaped from the brick wall to the right of the Virgin.
Beneath the chin of the old lion is a carpet of earth covering a “rock face” (Leonardo da Vinci). This also represents the flat cap associated with Leonardo. The peak of the cap is shaped as a wolf’s head, a wolf being the symbol of Sienna. Siena earth is produces a pigment known as raw sienna which is yellowish-brown in its natural state. It turns to a reddish-brown when heated and then called burnt sienna.
In the Parnassus painting Mantegna’s fox head is indicated by the joined hands of the two dancers at the end of the line of nine muses pointing towards the crumbling Marzocco (another depiction of Leonardo).
A similar motif is formed by Botticelli in the Young Man Holding a Roundel. Three fingers on Piero’s left hand form the wolf’s open mouth and ear underneath the roundel, symbolic of submission under the weight of the “Medici ball” and Piero’s right hand shaped to resemble the paw or claws of the Marzocco lion (Piero himself).
Notice also the dark colour of the roundel frame – burnt sienna! Another border and another colour Botticelli has connected with the Marzocco is the window frame. This is the colour of the stone known as pietra serena used by Donatello to sculpt his version of the Marzocco. It comes out of the ground as a blue-grey colour and was widely used in Renaissance Florence.
• The final part of this analysis – my next post – will focus on the mystery of the roundel and who its saintly figure represents.
• UPDATE… The Young Man Holding a Roundel painting was sold at Sotheby’s this afternoon (15:40) for eight million US dollars.
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