Following on from my previous post, this version of the Resurrection is by another Flemish artist, Dieric Bouts. It’s unusual in that the medium used is distemper on linen. The painting is displayed at the Norton Simon Museum in Pasadena, California.
Dieric Bouts is portrayed as one of the soldiers guarding the tomb, the figure depicted awake with his arm raised in astonishment at seeing the Risen Christ stepping out of the sarcophagus. Notice that his legs are crossed, similar to the guard seen in the Three Marys at the Tomb painting attributed to either Hubert or Jan van Eyck. There is a reason for this. The artist is identifying himself by his boots, as in Bouts. Notice also the facial expression on—in the folds of one of the boots – a good-natured smile similar to a modern-day ‘smiley’ face.
Another interesting feature is disguised in the folds of the white tunic worn by the guard lying flat on the ground. It depicts both a lamb and a ram, meant to represent two sacrifices: Jesus as the Lamb of God, and the ram sacrificed by Abraham in place of his son Isaac. However, to recognise the iconography the shape has to be rotated in two directions, 90º clockwise to see the Lamb and its foreleg (accompanied by his mother the Ewe), and 90º to make out the head and horn of the ram. Half-closing one’s eyes helps in visualising the shapes.