In my previous post I named three poets who are referenced in the January folio of the Très Riche Heures. There is a fourth, but anonymous, who wrote Richard the Redeless (“Richard without counsel”), a fifteenth-century English alliterative poem that critiques Richard II’s kingship and his court.
In a play on the word ‘redeless’ the painter Pol Limbourg has depicted Richard in livery which is ‘less red’ than what appears to be King Richard’s actual gown worn by his close friend and advisor Robert de Vere, the figure with the long baton.
The general opinion of art historians is that the figure in the corner is simply a servant feeding one of the Duke of Berry’s dogs, matched in the colours of the servant shown on the left side of the illumination. But there is a reason why the two men are depicted in similar style and colours.
Pol Limbourg is repeating, perhaps even confirming, a rumour that the isolated Richard II was the illegitimate son of one of his mother’s servants. Legitimacy and identity are major themes expressed in the January folio.
Officially, Richard was the son of Edward of Woodstock, known as “the Black Prince”. The appellation is said to derive from Edward’s black shield and his brutal reputation earned in battle, particulary against the French. The black cloth hanging from Richard’s waist represents the shield, while the reflection is that of the dog he is feeding. The shift from a white greyhound to a perceived black hellhound is probably a pointer to Richard’s own cruel reputation toward’s the end of his reign.
Other posts on the January folio of Très Riche Heures:
A plowman’s lunch
Richard the Redeless
Checking the guest list
There’s a book in this…
Identifying Pol Limbourg
Thoughts on the “wise men”
Telling tales about Chaucer
Happy New Year!
We’re going on a boar hunt!
The Pearl Poet… another sighting
A very rich duke and his bear
Playing hide and seek
A who’s who, what’s what list
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